The freedom to carry it forward Essay Example For Students

The freedom to carry it forward Essay All private actions were submitted to a severe surveillance. No importance was given to individual independence, neither in relation to opinions, nor to labour, nor above all to religion Thus, among the ancients the individual, almost always sovereign in public affairs, was a slave in all his private relations4 This is what the ancients deemed to be free, that is free from rule by a sovereign, but a shared sovereignty between the citizens of the state. It had particular emphasis on participation in the daily affairs of the state and on decision making for the state. This shared sovereignty was crucial towards the ancient democracy because of the bellicose nature of the states during that period of time. He showed that ancient liberty formed because there was no real freedom from coercion from other states. Constant saw modern democracies as very different from those of the ancients and that it embraced different ideals and operated differently. The most important point with modern democracies is that it worked through a representative function in society. We will write a custom essay on The freedom to carry it forward specifically for you for only $16.38 $13.9/page Order now The underlying difference could be seen through a pragmatic view that modern states are incredibly large and thus direct democracies on a daily basis would not only be disruptive to daily life but also impossible. All ancient republics were restricted to a narrow territory. The most populous, the most powerful, the most substantial among them, was not equal in extension to the smallest of modern states. 5 Furthermore, in ancient democracies, there was no universal suffrage and enfranchisement of most citizens thus it was not necessary for there to be a representative democracy. Representative democracy was a product of pragmatism and a market driven economy based on commerce. States today are very much driven by the market economy, and thus individuals are more self interested in their own affairs. Citizens of the modern state are more concerned with their liberty to be left to their own devices where they could engage in their own economic activities rather than to deliberate on a constant basis in the political sphere. Constant believed that the stability and beneficence of modern liberty was based on three distinct judgements: the civilising impact and evident mutual advantage of international economic exchange, the effective military security of all relatively commercialised societies against military threats from pre-commercial societies, and the manifest absence of rational material advantage for any modern state power in pursuing either its own interests or those of its subjects by the threat of use of armed force against other modern states. 6 Modern liberty differed considerably from that of the ancients, as modern liberty would be what Isaiah Berlin called negative liberty or freedom. Alternatively, positive freedom or liberty is what Berlin called that of the ancients. Negative freedom, is a notion where the individual is allowed actions when no one is interfering with your right to action. There is a lack of constraint, whereas positive liberty (that of the ancients) is to have the ability to carry through an objective and the freedom to carry it forward. To understand how Constant was lead to believe that ancient democracy was dangerously impractical; is to understand what would happen when ancient liberties are placed on a modern world. Constant shows the difference between the ancients and moderns in terms of the outcome of these differences. Firstly the size of a country causes a corresponding decrease of the political importance allotted to each individual7 Constant believes that, in ancient states, the individual citizen still wield considerable power in terms of his political influence whilst in modern states, he does not.

Creative Intelligence And Leadership Example

Creative Intelligence And Leadership Example Creative Intelligence And Leadership – Coursework Example Creative Intelligence and Leadership Baderman Island Resort. Successful people are ambitious and make significant discoveries through willing to take risks. I prefer situations where discovering new ideas and trying new approaches are encouraged. Being a manager of this prestigious resort, I aim at achieving results depending on being responsive and using my own ideas as well as those others. People see me as direct in my approach to innovation and disciplined on my course. Therefore, when I was introduced to this goal of making Baderman Island Resort a destination palace, I took it with confidence. It’s evident that people who make things happen introduce change. In this case, I see the future of Baderman being brighter than the stars. By changing the advertising strategy of this resort my aim is using social networks and both local and international newspapers.Through this means, we will achieve maximum publicity which in turn will produce maximum numbers of visits. Accompli shed organizations accomplish important goals by trying new approaches. Personally, I aim at making this resort the most organized in the world. Consequently, the organization of staff will enable quick response therefore leading to efficient services. It is important to note that people admire efficient services and therefore by taking advantage of that fact, we will attract a god number of customers.In conclusion, my final push will be breaking with tradition, I assume responsibility by allowing freedom of expression; this is because I believe in support from the members of staff and recognizing original ideas. Furthermore, i communicate best by giving instruction and also allowing corrections from my juniors. Therefore, by us working as a group we will surely accomplish the objections set by Baderman Island Resort.Work CitedMay, S., & Doubtfire, D. (2008). Creative writing (4th ed.). London: Teach Yourself.

Thermoplastic vs. Thermoset Resins (Composites)

Thermoplastic vs. Thermoset Resins (Composites) Thermoplastic  polymer  resins are extremely common, and we come in contact with thermoplastic resins constantly. Thermoplastic resins are most commonly unreinforced, meaning, the resin is formed into shapes and have no reinforcement providing strength. Examples of common thermoplastic resins used today, and products manufactured by them include: PET  - Water and soda bottlesPolypropylene - Packaging containersPolycarbonate - Safety glass lensesPBT - Childrens toysVinyl - Window framesPolyethylene  - Grocery bagsPVC - PipingPEI - Airplane armrestsNylon  - Footwear Many thermoplastic products use short discontinuous fibers as a reinforcement. Most commonly fiberglass, but  carbon fiber  too. This increases the  mechanical properties  and is technically considered a fiber reinforced composite, however, the strength is not nearly as comparable to continuous fiber reinforced composites. In general, FRP composites refers to the use of reinforcing fibers with a length of 1/4 or greater. Recently, thermoplastic resins have been used with  continuous fiber  creating structural composite products. There are a few distinct advantages and disadvantages thermoplastic composites have against thermoset composites.​ Advantages of Thermoplastic Composites There are two major advantages of thermoplastic composites. The first is that many thermoplastic resins have an increased impact resistance of comparable thermoset composites. In some instances, the difference is as high as 10 times the impact resistance. The other major advantage of thermoplastic composites is the ability reform. See, raw thermoplastic composites, at room temperature, are in a solid state. When heat and pressure impregnate a reinforcing fiber, a  physical change  occurs; not a chemical reaction as with a thermoset. This allows thermoplastic composites to be reformed and reshaped. For example, a pultruded thermoplastic composite rod could be heated and remolded to have a curvature. This is not possible with thermosetting resins. This also allows for the recycling of the thermoplastic composite at end of life. (In theory, not yet commercial). Properties and Benefits of Thermoset Resins Traditional Fiber Reinforced Polymer Composites, or FRP Composites for short, use a thermosetting resin as the matrix, which holds the structural fiber firmly in place. Common thermosetting resin includes: Polyester ResinVinyl Ester ResinEpoxyPhenolicUrethane The most common thermosetting resin used today is a polyester resin, followed by vinyl ester and epoxy. Thermosetting resins are popular because of uncured, at room temperature, they are in a liquid state. This allows for convenient impregnation of reinforcing fibers such as fiberglass, carbon fiber, or Kevlar. As mentioned, a room temperature liquid resin is easy to work with. Laminators can easily remove all air during manufacturing, and it also allows the ability to rapidly manufacture products using a vacuum or positive pressure pump. (Closed Molds Manufacturing) Beyond ease of manufacturing, thermosetting resins can exhibit excellent properties at a low raw material cost. Properties of thermoset resins include: Excellent resistance to solvents and corrosivesResistance to heat and high temperatureFatigue strengthTailored elasticityExcellent adhesionExcellent finishing (polishing, painting, etc.) In a thermoset resin, the raw uncured resin molecules are crossed linked through a catalytic chemical reaction. Through this chemical reaction, most often exothermic, the resin creates extremely strong bonds with one another, and the resin changes state from a liquid to a solid. A thermosetting resin, once catalyzed, it can not be reversed or reformed. Meaning, once a thermoset composite is formed, it cannot be remolded or reshaped. Because of this, the recycling of thermoset composites is extremely difficult. The thermoset resin itself is not recyclable, however, there are a few new companies who have successfully removed the resin through pyrolization and are able to reclaim the reinforcing fiber. Disadvantages of Thermoplastics Because thermoplastic resin is naturally in a solid state, it is much more difficult to impersonate reinforcing fiber. The resin must be heated to the melting point, and pressure is required to impregnate fibers, and the composite must then be cooled under this pressure. This is complex and far different from traditional thermoset composite manufacturing. Special tooling, technique, and equipment must be used, many of which are expensive. This is the major disadvantage of thermoplastic composites. Advances in thermoset and thermoplastic technology are happening constantly. There is a place and a use for both, and the future of composites does not favor one over the other.

The Tragic Sense of Life Essay Example | Topics and Well Written Essays - 500 words

The Tragic Sense of Life - Essay Example makes it move towards faith which readily offers immortality and meaning, a sense of immortality that is vulnerable to doubt, yet, at the same time richly endowed with meaning and hope. It is this mutual contradiction of these two ideas, one ensuing from objectivity and the other from faith is the eventual source of life’s unity. In a broader context, both these ideas, complement and complete each other. It is the sense of annihilation ensuing from a scientific objectivity that moves the humanity towards faith, and the doctrines of faith, though seeming mystical, ambiguous and vague ultimately does have the power to move the men to act in a way that actually makes people think that these doctrines if not true, ought to be true. That death, if it is the eventual destiny of man, is a destiny that is undeserved and unjust. Unamuno boldly declares that â€Å"We think because we live (157).† However, by ‘thinking’ here, Unamuno does not mean what most men consider thinking to be. For truly speaking, in case of most of the individuals, thoughts are nothing, but a pretext for justifying their actions to oneself and others. Nudged to act by their innate, basic and primordial instincts, they present thoughts as a sophisticated veneer to cover up the essential senselessness and vagueness of their actions, or rather to project some sort of a meaning over their actions. Yet, the shallowness of their thoughts is evinced the minute there start to appear chinks in their adopted or professed doctrines, taking a heavy tool of their belief in the very integrity of their actions. By ‘thinking’ Unamuno means that an innate belief, which embraces both the impermanence indicated by logic and the immortality offered by faith and proceeds to act irrespective of the inherent contradiction of these two ideas, confident that the very character of the actions engendered by this belief while resolve this contradiction and endow life with a meaning. Doing so, Unamuno places upside

The Usefulness of the Academic Literature on National Culture for Essay

The Usefulness of the Academic Literature on National Culture for Helping a Multinational Corporation Devise its Strategy - Essay Example As a means of developing broader range insights into the nature of culture, business, innovation, and profit, this research assess the usefulness of the academic literature on national culture for helping a multinational corporation devise its strategy. As there are a number of broad-ranging theories on national culture, this research advances by analyzing the relationships and associations between key factors found in the literature. Analysis One of the prominent areas where academic literature on national culture has been implemented in terms of business strategy is in the hospitality industry. Baker & Moreo (2008) investigated power distance management between cultures. This specific investigation administered questionnaires to managers in different international regions, specifically: the United States, Thailand, Malaysia, and Turkey. Specifically, the research notes that the questionnaires sought to determine if, â€Å"managers from varied power distance cultures would exhibit varied degrees of participative style, openness to strategic change, formality of strategic control, and people-focused orientation when setting strategic goals† (Baker & Moreo, 2008, p. 12). The results were inconclusive regarding specific differences in power relationships between national cultures. As a result of these findings the authors argue that managers operating in international contexts need not be concerned with the relation between distance and power relationships. Such findings demand further investigation, as there is the possibility of limitations because of the specific organizations that were implemented, as specific trends in the cultures that may be more amenable to each other (Tandukar 2008). Still, there literature makes a significant contribution to broader ranging strategic investigations, as it constitutes a specific perspective on these relations. Such a notion functions to indicate that while individual research studies may lack the large-scale reach that would allow them to make significant impacts on business strategy, collated and implemented in a comprehensive approach could reveal significant insights. Another prominent area where literature on national cultures has been intertwined with business strategy is business ownership. Larimo (1998) tested the notion that national origin significantly impacts the strategies of multinational corporations.

Thomas Paine and Common Sense :: essays research papers

Common Sense Published anonymously by Thomas Paine in January of 1776, Common Sense was an instant best-seller, both in the colonies and in Europe. It went through several editions in Philadelphia, and was republished in all parts of United America. Because of it, Paine became internationally famous. "A Covenanted People" called Common Sense "by far the most influential tract of the American Revolution....it remains one of the most brilliant pamphlets ever written in the English language." Paine's political pamphlet brought the rising revolutionary feeling into sharp focus by placing blame for the suffering of the colonies directly on the reigning British monarch, George III. First and foremost, Common Sense advocated an immediate declaration of independence, putting forward a special moral duty of America to the rest of the world. Not long after publication, the spirit of Paine's argument found importance in the American Declaration of Independence. Written at t he beginning of the Revolution, Common Sense became the leaven for the ferment of the times. It stirred the colonists to strengthen their resolve, resulting in the first successful anticolonial action in modern history. Little did Paine realize that his writings would set fire to a movement that had seldom if ever been worked out in the Old World: sovereignty of the people and written constitutions, together with effective checks and balances in government. Paine has been described as a professional radical and a revolutionary propagandist without peer. Born in England, he was dismissed as an excise officer while lobbying for higher wages. Impressed by Paine, Benjamin Franklin sponsored Paine's emigration to America in 1774. In Philadelphia Paine became a journalist and essayist, contributing articles on all subjects to The Pennsylvania Magazine.

Australian Aboriginal Art Essay

Australian Aboriginal art, song and dance has been the corner stone of culture since the beginning of their existence. Having no form of written language Aboriginal art, songs, and dances passed down through the generations have been the heartbeat that has kept this ancient culture alive. Even though the art, medium, song, and dance of each Aboriginal tribe may be completely different, they all serve the same purposes; create ceremony, and to inform each member of the tribe of their history, spiritual beliefs, values, and expectations for cultural norm and behaviour. It is not until recently that Aboriginal art has stopped depicting Dreaming stories and has begun to be used for other purposes, such as self expression and emotion release (Pizzi, 13). However as the customary Aboriginal ways of life have been continually interrupted and battered, the personal identity of Aboriginal people and their culture has deteriorated and is in great danger of dying out completely. For tens of thousands of years Aboriginals have created art on rocks, tree bark, the ground and their bodies, with dyes, paints, seeds, plants, sand, and ochres. It is these art works which create a visual language expressing the legends, morals, and history specific to each Aboriginal tribe (Kreczmansk and Stanislawska-Birnberg, 3). Each painting or drawing contains symbols and colours which represent a part of a Dreaming story. Generally the symbols similar to what they are representing, but can come to mean different things at different times, such as a spiral could represent a waterhole, campsite, breast, or fire depending on the context. Aboriginal art is an integral physical manifestation of their culture and cultural continuity is reflected in all forms; such as painting, drawing, ceremonies, song, dance, jewellery, and head masks (Barrington, April 12). On page one of ‘The Tjulkurra’, Billy Stockman Tjapaltjarri, Janusz B. Kreczmanski and Margo Stanislawska-Birnberg write, â€Å"there is one kind of traditional painting which has not changed for thousands of years in its form and subject matter: the art of the Australian Aborigines. † The Aboriginal Dreaming stories are central to culture and each aspect of the Dreaming wheel is connected, and without one of the parts the wheel the rest does not make sense. These stories dictate every aspect of life and behaviour from where you can walk to how the Earth was created. These Dreaming stories are the blue prints to Aboriginal life, and it is through art, song, and dance that they survive. Each art drawing, painting, dance refers to a piece of information which the viewer gains upon looking at it, every song steers the listeners towards proper social behaviour or indicates where in society one falls (Morphy, 30). Some rituals, drawing and painting mediums and depictions, songs, and dances are gender or age discriminate, further structuring societal responsibilities and purposes (Mayrah, April 20). These Aboriginal art forms are the vehicles that pass meaning, purpose, history, and cultural from one generation to the next. Over the years Aboriginal way of life has been completely disrupted, abused, and deliberate attempts have been made to be erased. Since colonization Aboriginal people have been continually displaced from their lands, which they had lived on for over 40,000 years, and have had to watch as their sacred sites are cut down, mined, and destroyed. With this the materials used in Aboriginal art are destroyed, but more importantly there is a cultural disconnection as the elders are unable to teach the new generation the ways of their people and land. For example, when a tribe from the desert is suddenly moved to a coast their traditional sand art becomes impossible to create and the ceremonial act of passing that knowledge down to new generations cannot occur. So that art form is lost forever and the relationship between elders and the new generation breaks down. Or if a Dreaming story is based upon the lake which a tribe lives next to, and the tribe is moved away from this lake the new generations to come will not understand the story, or feel a connection with the land which was given to them by the Creation Beings. By taking away the tools the Aboriginals have always used to create their art and ceremonies their whole structure of culture is splintered. Tourism and the intrusions of western culture on Aboriginal land have weakened and belittled the art of the Aboriginals and traditional art forms have vanished in many places (Edwards and Guerin, Foreword). Furthermore, as â€Å"The Land My Mother, Walya NGamardiki† video the class watched on March 18th explains, the Aboriginals believe that they belong to the land, and if the land is destroyed then they too are being destroyed. In Aboriginal culture each person and family is born and connected to a Totem, or Spirit Being, and it is that person’s responsibility to protect their Totem; they are thought to be so connected that if one was to eat their Spirit Being it would be considered cannibalism. If a person’s Totem is killed then it is that person’s responsibility to carry out the mortuary rites for the being. When an Aboriginal dies they believe that their spirits go into the sites from which they came, but by destroying these sanctified sites the spirits have no where to return (Mayrah, April 20). â€Å"For Indigenous Australians†¦country is the subject of artistic representation, ritual enactment, totemism and the sympathetic magic that assists the group to ensure itself in the quest for survival† (Zimmer, 20). A disconnection between an Aboriginal person and his land is more than an unjust inconvenience; it is a cultural, emotional and spiritual murder worse than physical death. The Aboriginals currently make up only two percent of the Australian population, and their art, songs, and dances have been lost to the new generations. The ceremonies, art, dance, and song that had always guided, moralized, and given a voice to the Aboriginal youth has been made unnecessary, unfeasible, or irrelevant over time. These youths are now connecting with the anger, violence and messages of resentment of the contemporary black American culture. Instead of singing the songs and dancing the dances of their ancestors many young Aboriginals are rapping and grinding. (Dean, April 8). Many Aboriginals, old and young, feel no real tribal identity or language, no connection with Dreaming, and are left confused by who they are in the middle of two conflicting cultures (Bourke, 133). Without their art, song, and dance the Aboriginal culture has no history, meaning, future, or heartbeat. It is imperative to the future of Aboriginal tribes that they reconnect with the wisdom and ceremony of their ancestor’s art, song, and dance, while continuing to gain the tools to function in today’s westernized Australian culture. Bibliography Barrington, Robin. â€Å"Indigenous Australian Aboriginal Art. † Presentation, Introduction to Indigenous Australia tutorial, Curtin University of Technology, Bentley campus. April 12, 2010. Bourke, Eleanor. â€Å"On Being Aboriginal. † In Identifying Australia in Postmodern Times. Melbourne: Bibliotech, Australian National University, 1994. â€Å"Ways of Working: Aboriginal Cultural Awareness Modules. † Workshop, Centre for Aboriginal Studies at Curtin University of Technology, Bentley campus. April 8, 2010. Edwards, Robert and Bruce Guern. Aboriginal Bark Paintings. Canberra: Rigby, 1970. Kreczmanski, Janusz B. , and Margo Stanislawska-Birnberg. The Tjulkurra: Billy Stockman Tjapaltjarri. Marleston: Jb Books, 2002. 1-7. Mayrah, Yarraga. â€Å"Aboriginal Culture. â€Å" Indigenous Australia – Aboriginal Art, History and Culture. http://www.indigenousaustralia. info (accessed April 20, 2010). McGregor, Ken and Jenny Zimmer. Bill Whiskey Tajapaltjarri. Victoria: Macmillian Art Publishing, 2009. 15-23. Morphy, Howard. Ancestral Connections: Art and an Aboriginal System of Knowledge. Chicago: University Of Chicago Press, 1991. Pizzi, Gabrielee. Voices of The Earth: Paintings, Photography, and Sculpture from Aboriginal Australia. Melbourne: A private collection. 7-16. ‘The Land My Mother’ or ‘Walya NGamardiki. ’ Movie, Introduction to Indigenous Australia tutorial, Curtin University of Technology, Bentley campus. March 8th, 2010.